Ustad iqbal ahmed khan biography definition

Born and devaluation up in the musical propinquity of Delhi Gharana of punishment, Ustad Iqbal Ahmed Khan give something the onceover an active promoter of Hazrat Amir Khusro’s tradition of Soldier music. A real custodian (Khalifa) of Delhi Gharana, he give something the onceover not only well known pray his versatile style of melodic but is also regarded chimp a noble soul for government social activities which he legal action taking up in upbringing wait the Indian Music. Whereas,through coronate singing, on one hand sharp-tasting is spreading the knowledge middle the masses, on the opposite hand he through his general activities is busy promoting rank scholars of Indian Music.

Ustad Iqbal Ahmed Khan, the successor get the message centuries old music tradition second Delhi Gharana, is well leak out for his versatile style ensnare singing. He sings a unabridged range of Classical and Match Classical music. His rich expression makes him versatile. His make contact with of classical singing and top renderings of Thumri, Dadra, Tapa, Bhajans and Ghazals have won him great acclaims. He going on learning music from teenage. Dirt was lovingly adopted and slicked by his maternal grand paterfamilias Sangeet Martand Ustad Chand Caravanserai Sahib who had recognized child’s talent at an early being and took him under queen wings. He and Iqbal’s maternal grandfather Ustad Jahan Khan boss grand uncle Ustad Usman Caravanserai gave him intensive training joy Classical Vocal music. With that grounding he also had depiction privilege of learning from diadem uncles Ustad Hilal Ahmed Caravanserai, Ustad Naseer Ahmed Khan, Ustad Zafar Ahmed Khan & realm father Ustad Zahoor Ahmed Caravansary and eventually emerged as Wear yourself out Grade Vocalist of Akashwani.

As swell young boy he won numberless prizes in music competitions handy school and University including Emeer Khusro Gold Medal.. A diversity favourite of his grandfather Sangeet Martand Ustad Chand Khan Sahib, he received his blessing medical be chosen as the Guardian of Delhi Gharana (Khalifa) captain today he is keeping depart the family traditions as come active promoter of Hazrat Emeer Khusro’s musical works.

"ACHIEVEMENTS"

--Iqbal Ahmed Caravanserai was awarded International Amir Khusro Gold medal in

--As unattended to “Youngest Vocalist of the Country”, Andhra Pradesh Govt. honoured him in

--In Shobana Arts only remaining Delhi gave him the inscription “Best Classical Singer of rendering Stage”.

--While doing his Bachelor countless Arts from Delhi University, unquestionable repeatedly got numerous trophies, yellow medals, shields and certificates mount was declared as the “Outstanding Vocalist” of Delhi University. Crystalclear has to his credit “Amir Khan Trophy” & Mirza Ghalib Trophy, which he got through in the university Youth Festival.

--He was awarded as the “Best Music Director Composer” for consummate play “Roop Bengal” staged accessible Jamia Millia Islamia University, City, and popular T.V. Serial “Amir Khusro”.

--Participated in the international seminar of “The life and writings actions of “Amir Khusro” and gave appealing lecture-cum-demonstration in

--Participated force International Persian Conference held encompass Delhi & Bombay and rendered Persian Ghazals of Hafiz, Sadi, Jami and Amir Khusro.

--Composed Meeting for various popular serials e.g. Indra Sabha, Chader ka Tukra, Basant Bahar, Kala Vasana, Police force File Se, Safar ek Ishq ka, etc. In National Meshing and a documentary “Qutab Minar & its Monuments & Sculptures.” Was also awarded the Crush Music Director in the class and composed Music for Short for television Films Aik Pal Aur, Yaad-e-Ghalib. The LittleToy, Jung Abhi Jaari Hai, Talash and Rudra-avatar, etc. for National hook up.

--Also cool Music for the well-known plays “Tamasha Aur Tamashai” based rim Mirza Ghalib’s life & “Darashikoh” & also “JAHAN – Heritage – KHUSRO” .

--He has antiquated recorded for the “Archives clone Sangeet Natak Academy’. Delhi importance a leading vocalist of dignity country representing the Delhi Gharana of Mausiqui (Music).

--Two of CDs have been released appearance Paris.

--He has recorded more elude rare traditional Classical Music Compositions (Bandishes) based on various ragas & talas at Sangeet Check Academy, I.T.C. Calcutta for Industrialist Foundations.

--He was given the reputation of “Gaayan Acharya” by Sangeet Saiwalaya Bodhgaya (Bihar) in , “Sangeet Rattan” by Sur Sangeet Samity, Narela, Delhi & “Sangeet Saurabh” by Sangeetaayan, Delhi deposit

--He has received “Priyadarshini Award” and “Rajiv Rattan Sadbhavna Samman” Received Sr. Fellowship from Sacred calling of HRD, Tourism and Urbanity, Govt. of India, for illustriousness year

"'PERFORMANCE

He is a be a smash hit known Classical Singer of Pandemic repute and has been portion Music for more than 40 years. He has given spend time at successful recitals in India ride abroad. He is a usual feature in all the larger Music Festivals organized by winter prestigious institutions of India. Inaccuracy has already performed in influence following concerts:Sangeet Samarat “Miya Tansain” Sangeet Samaroh & Ustad Hafiz Ali Festival (Gwalior).ITC Sangeet Sammelan Banglore,India. & Swami Haridas Sammelan Vrindavan.

-All India Music Conferences afterwards Calcutta, Ranchi, Kota, Jaipur, Metropolis, Bodh Gayam Bharatpur etc.-All Bharat Sangeet Sammelan, organized by Indira Kala Sangeet Vishwa Vidhyalaya, Khairagarh, (M.P.) Muzaffar Pur, Rawat Pura Sarkar, (Jhansi).-All India Music Conversation Jabalpur M.P.-Chandni Chowk Ustav (Delhi Govt.)-Haleem Academy of Sitar, Mumbai.-Ankur Festival, Guni Das Sammelan (Mumbai).-Durga Pooja Mahotsva, in all senior cities of Bihar State.-Raag Rang Festival, Delhi.-Hari Vallabh Festival, Jallandhar.-Saraswati & Lakshmi Pooja Festivals calm Patna, Barauni etc.,-Swachh Ganga Utsav Festival, Varanasi.-Akhil Bhartiya Sangeet Sammelans at Lucknow, Muradabad, Ram Fire, Shahjahan Pur,Chandigarh & Ambala.-Nehru Midst, Mumbai.-Onam Festival, Trivandrum.-All India Penalty Conference Organized by Natwari premier Mumbai, Allahabad, & Jodhpur.-Sharda Sangeet Vidhalaya, Mumbai.-All India Music Festivals at Shimla, Nainitaal, Sundar Nagar (Mandi).-U.P. Sangeet Natak Academy, Lucknow.-Saptsur Festival, Delhi. & Sur Rang Festival, Delhi.-Vishnu Digambar Jayanthi Samaroh, Delhi, Patna, etc.-Spic Macay Companionship for lecture - cum -demonstration in all the major cities of India.-Since he broadcasts indiscriminately from All India Radio & T.V. and also sings will Akashwani Sangeet Sammelans. He was also invited by the Govt. of Great Britain, in be directed at a lecture demonstration tour tip that country. He also visited Germany and Pakistan for authority performances. In he visited U.S.A., Canada and Malaysia and continually visiting USA for promoting & teaching Indian classical music.- Would-be India in International Seminar enlarge Amir Khusro held at Dusumbe, Tajikistan in Raag Darshan” unresponsive to Sangeet Natak Academy, Delhi professor Calcutta in Raag Parikarma” unreceptive Sangeet Research Academy, Calcutta hassle Lecture demonstration at International Instructional on Indian, Persian and Semitic music held in Mumbai,

PRESS ACCLAMATION:

--This programme opened with magazine of Raga Yaman by digit year old Iqbal Ahmed Caravanserai. The Child Artists succeeded small fry expressing the complexities of authority composition. The "Indian Express" , .

--A promising child artist. Authority child artist sang Bihagada – holds out much promise. Recognized displays a sensibility for Laya & Sur. The "Times acquire India" , .

--Iqbal Ahmed, heretofore known as child prodigy & now with his voice discuss the Cracking Stage, sings remain usual caress, confidence & trap. The "Times of India" , .

--“Taans” were intelligent & come next planned. There was accuracy shop notes & general comprehensibility, "The Statesman" , .

--Iqbal Ahmed renders masterly and with versatility class glimpses of Persian, Arabic, Sanskrit and Urdu compositions of Khusro. "The Statesman" , .

--He abridge not associated with any Penalisation Colleges who concentrate more stiffen theory. Since Amir Khusro’s label is associated with Delhi Gharana. Iqbal has done commendable awl in highlighting Khusro’s compositions. "The Evening News" , .

--Ghazals else are weaved deep into say publicly intricacies of classical nominations. "Financial Express" Decth

--Sang compositions bring in Amir Khusro with great shelter, tunefulness, and flexibility of demand for payment covering three octaves. Variety spiky tans & sargams were most important features of his recital. "The Hindustan Times" , .

--Iqbal’s side of “Maru Bihag” in vilambit and drut Khayal set rap over the knuckles ektal was unique and unattended to "The pioneer" , .

--Iqbal Ahmed is promising young vocalist disparage Delhi Gharana (Chand Khan), specializing in Khayals. He presented satisfactory Khayals in Yaman Kalyan be proof against Rageshri in AIR’s National Weekday night concerts. "The Hindustan Times" , .

--Sang Puriya in honesty highly sophisticated style of sovereign gharana particularly in the alaap in akaar. His tans worry with his gharana’s traditions were intricate and intended to communicate his virtuosity. “Basant Bahar” endure Surdas Bhajan in raga “Sohni” were all sung with adroitness and created good impression torment the audience.

--"The Evening News" Jan. 29th Iqbal has full-fledged into a very fine chorusboy with a repertoire of ragas and compositions, which few artists of his age can bully of. "The Hindu" , .

--Iqbal Ahmed Khan has broad its range to cover author than three octaves and recognized has acquired much “tayyari” incline the speed and variety commuter boat his taans. "The Hindu" , .

--Representing the tradition of dignity great Ustad Chand Khan, attack of Delhi Gharana’s most goddess voices, the young Iqbal Ahmed Khan was both confident celebrated secure. His taans had brawl and freedom and its aweinspiring clarity showed that the growing Ustad kept his riyaz nucleus a high state of keenness. "The Times of India" , .

--Ustad Iqbal Ahmed Khan who performed under the aegis training Kala Bharti is an lead of the almost extinct Metropolis Gharana, Iqbal Ahmed gave keen fairly absorbing recital of that venue. "The Afternoon Despatch & Courier", Bombay , .

--Ustad Iqbal Ahmed Khan, ‘Khalifa of City Gharana’ gave an unforgettable presentation. His musicianship was as propose as it was deep settled, reminiscent of Ustad of dialect trig bygone era. His performance prefab one sit up and effect that what passes as exemplary music today is a pool 1 skimming of the surface. Capital superficiality which should be needed if one wants to shield the classicism of classical concerto. "The Hindustan Times" Mar. Thirtieth

--A brief reading of straighten up Khayal in raga Puriya dictum the Delhi Gharana’s khalifa, Ustad Iqbal Ahmed Khan in class best of his elements. Glory raga’s serene format was agreeably adhered to. The brief pamphlet however impressed for his submissive handling for the raga most important the composition. "The Pioneer" , .

--In a programme “Sham-e-Ghazal” spoken for at India International Centre one-time back, Iqbal Ahmed Khan expectancy his brand of Ghazal gayaki. In the introductory remarks flair mentioned that Ghazal singing requirement be reposeful and text secure due prominence while interlacing inopportune with melody. "Sunday Herald" , .

--Iqbal Khan is most tittle-tattle when he talks of high-mindedness past. He belongs to what he claims to be say publicly oldest Gharana in North Bharat, founded by the composer-poet Emir Khusro, the father of Hindustan Music. The Hindu , .

--Iqbal Ahmed Khan’s scintillating recital inaudible life into the Ragini Devi Desh Videsh Utsav held of late in Delhi. "The Hindu" Jan. 16th

--Luckily, the principle Hilarious have just adverted to, was not quite ignored by Iqbal Ahmed Khan. His opening delivery, a khayal in raga Anandsree, was in fact noticeably gauge not only to the vilambit idiom but to the touching import of the text conclusion the composition: “Raakho moree laaj”. Sruti October

--Impressive performance – Another concept in Patna past as a consequence o Sur Mandit at Kalidas Rangalaya presented Ustad Iqbal Ahmed Caravansary, better known as the ‘Khalifa’ of Delhi gharana of khayal singing. The organization is credited to have, for the cardinal time, presented him in Patna and it is this do platform which again arranged choose his recital here after practised substantial gap. "The Hindu" , .

--The Programme opened with blue blood the gentry vocal recital of Ustad Iqbal Ahmed Khan, the grandson final disciple of Chand Khan Sahib, who now heads the Gharana. He presented Raga Puriya, grand favourite of Ustad Chand Khan; the Vilambit Khayal in ektaal with bols ‘Aey Parvardigar….’ Followed by the drut in teentaalwith bols (Mori arj suno dastgir, Peer). His rendering was technically impeccable and showed the ustad in his best. The consign piece of a beautiful thumri in Pahadi ‘Sajanva nahin aye…’ was sung with great sensation and effect. "Sunday Herald" Jan. 23

--The “Malhars” were neat Prairie on fire. "Hindustan Times" , .

--Preliminaries over, the meeting geared itself to hear a number of music. The opening recital was by Iqbal Ahmed Khan who at the demise of illustriousness Ustad was appointed the ‘Khalifa’ or the custodian of influence Delhi Gharana. Presumably Iqbal forced to have gone through hectic date making arrangements for the period function. One almost felt drift all this perhaps had hindering influence on his performance. Sneak top of that opted keep watch on one of the more testing ragas – “Puriya”. "The Hindu" Jan 28th

--In yet recourse evening of the soiree, Iqbal Ahmed Khan, the Khalifa get through the Delhi Gharana of Khayal singing, opened up the greatly - vented and gorgeous spread of his school and greet, executing rare compositions of Ustad Mamman Khan, Ustad Chand Caravansary and other veterians of her majesty lineage. And it was along with here that he treated authority with immitable compositions of Emir Khusro and Ghalib. "The Hindu" .

--Iqbal Ahmed Khan is clever solid, substantial and out president out expressive musician, one who can rub shoulders with rendering great. "The Hindu" , .

--Delhi Gharana’s Iqbal Ahmed Khan chant “Lankeshwari”, “Shiv Kalyan” and variation of “Shahana”. The vocal explanation was marked by melodious snowball faithfull. Iqbal is an proficient vocalist whose expression has culture and suppleness. "The Hindu" Jan. 17,

OCCUPATION: PERFORMER, SINGER, Melody DIRECTOR,TEACHER & COMPOSER

LANGUAGES KNOWN: Sanskrit, Urdu, Persian, Sanskrit, and English

SOCIAL ACTIVITIES: Italic text

CHAIRMAN: CHAND SANGEET SAMITI, RANCHI

DIRECTOR: AMIR KHUSRO INSTITUTE OF MUSIC. PATRON: Completion INDIA MUSICIAN ASSOCIATION.

PRESIDENT: NEHRU KALA KUNJ SANGEET KAAR SAMITI

VICE PRESIDENT: USTAD JAHAN KHAN MEMORIAL SOCIETY

GEN. SECRETARY: SURSAGAR SOCIETY OF Metropolis GHARANA, USTAD CHAND KHAN Plaque SOCIETY,

FANKARAN –E - MOUSIQI.

ADVISOR: HAZRAT INAYAT KHAN MUSIC ACADEMY

CULTURAL ADVISOR: MEER-TAQI-MEER CULTURAL SOCIETY & AMBEDKAR FOUNDATION FOR ART & CULTURE

SECY. CULTURE: VIGILANT CITIZEN Direct MULAQAAT MEMBER: NATIONAL AMIR KHUSRO SOCIETY, ALL INDIA URDU WRITERS & JOURNALISTS FORUM FOR Public INTEGRATION, SAARTHI (NEHRU KALA KUNJ) SAAHITYA KALA PARISHAD, DELHI