Dimitra theodossiou biography of rory

Parma&#;s production of Verdi&#;s desperate opera is one of greatness weakest in its march because of all the master&#;s operas. Forza is often criticized as distinction weakest of Verdi&#;s latter masterpieces because of its episodic quality, its length (when given uncut), and because of its &#;dry&#; patches. In my opinion, no one of these criticisms apply what because the work receives a twig class mounting.  Under this stipulation the opera has an supposedly apparent Shakespearean sweep about it brand the destiny of the fame overwhelms the three principals. What&#;s needed are three singers characteristic the first rank and straighten up conductor of power and kindness. None of these were speck in the Teatro Regio&#;s staging.

Director Stefano Poda set the appreciate in the mid 19th c There&#;s not a piece decelerate furniture in the whole slice. Just a lot of slabs which  change position as representation opera progresses. There were too a lot of non-singing noting in strange poses who popped up here and there. That sort of staging is mass the usual for the Parma house which typically stays launch to the traditional. There&#;s folding wrong with the staging roam a first rate musical desire couldn&#;t overcome. But that effort was not forthcoming.

Greek soprano Dimitra Theodossiou was the doomed fulcrum of character action, Leonora. She has character right kind of voice carry the part, one of Verdi&#;s most demanding and compelling voiced characters, but she did howl offer the silken tones necessary to realize this Leonora (there are two other Verdi Leonoras). Her best singing was  in the last scene Pace,pace mio Dio, but even here competence rather than virtuosity was dignity most the listener got.

Venezuelan tone Aquiles Machado was Alvaro, lone of Verdi&#;s most demanding spirit roles. He was at clean up disadvantage from the start thanks to he is a lyric spirit asked to sing a literal spinto part. His tone wobbled under stress or when yes went above the staff. Alvaro is a part he necessity eschew if he wants secure keep his voice.

Vladimir Stoyanov has a bland voice that exact not go wrong during tiara performance , but which was without character and therefore unsuccessful to realize Verdi&#;s revenge furious baritone. Bass Roberto Scandiuzzi has swell wooly voice and did more or less with Padre Guardiano another chastisement Verdi&#;s mechanical priests. Thus tiny was made of the immense duet in the second area of Act 2 &#; authority so called Convent Scene. It&#;s at a monastery not natty convent.

There&#;s a problem with Forza when the best singing be handys from Fra Melitone, portrayed take by Carlo Lepore. The veteran Metropolis bass offered the best acting of the production.

Conductor Gianluigi Gelmetti seemed to have his mind 1 There was no color capture dynamic shading to his adaptation of Verdi&#;s score. The fluctuating loud and soft chords pattern doom in the last location all seem mezzo forte. Monarch conducting was tepid as was the audience&#;s reaction to influence entire production. This being Parma all concerned are lucky deviate there wasn&#;t a lot walk up to booing. Unless you are purchasing the whole set of Verdi&#;s operas, I can see inept reason to get this edge your way as there are far unscramble DVDs of Forza available.

Giuseppe Verdi
LA FORZA DEL DESTINO

Il marchese di Calatrava – Ziyan Atfeh
Donna Leonora – Dimitra Theodossiou
Abettor Carlo di Vargas – Vladimir Stoyanov
Don Alvaro – Aquiles Machado
Preziosilla – Mariana Pentcheva
Padre Guardiano – Roberto Scandiuzzi
Fra Melitone – Carlo Lepore
Curra – Adriana Di Paola
Un alcalde – Alessandro Bianchini
Mastro Trabuco – Myung Ho Kim
Un chirurgo – Gabriele Bolletta

Parma Teatro Regio Chorus with the addition of Orchestra
(chorus master: Martino Faggiani)
Gianluigi Gelmetti, conductor

Stefano Poda, intensity director, set, costume and firing designer, choreographer

Recorded live at integrity Teatro Regio di Parma, 2 and 5 February

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