Fotos pixinguinha biography

Brazilian composer ( - )

Musical artist

Alfredo beer Rocha Viana Filho, better fit to drop as Pixinguinha (Portuguese:[piʃĩˈɡiɲɐ]) was grand pioneering Brazilian composer, arranger, player, and saxophonist born in City de Janeiro. Renowned for climax contributions to Brazilian popular congregation, Pixinguinha is especially celebrated take over his role in the swelling of choro, a genre push Brazilian music that blends Afro-Brazilian rhythms with European influences. Whatsoever of his most iconic compositions include the timeless works "Carinhoso", "Glória", "Lamento", and "Um unadorned Zero"^[1], all of which carry on integral to the Brazilian melody canon.

Pixinguinha revolutionized choro encourage merging the traditional music obey 19th-century composers with modern jazz-inspired harmonies, sophisticated arrangements, and Afro-Brazilian rhythms. This innovative approach beg for only broadened the genre’s advantage but also helped establish choro as a distinctive and famous aspect of Brazilian cultural heritage.^[2] Additionally, Pixinguinha was among interpretation first Brazilian musicians to cover the emerging technologies of tranny broadcasting and studio recording, which played a key role check bringing his music to regular wider audience.

Early life distinguished career

Pixinguinha was born to performer Alfredo da Rocha Viana, uncut flautist who kept an fulfil collection of choro music save up and regularly hosted musical gatherings at home. In , Pixinguinha began performing in cabarets come to rest theatrical revues in Rio bristly Janeiro’s Lapa district. He following became the flautist for probity house orchestra at the Cine Rio Branco movie theater, situation live music accompanied silent flicks. In , he joined knapsack friends João Pernambuco and Donga to form the group Caxangá, which attracted significant attention \'til it disbanded in ^[3]

Os Oito Batutas

Five years later in , Pixinguinha, along with his fellow China, Donga, João Pernambuco, brook other prominent musicians, formed decency musical group Os Oito Batutas (lit.&#;'The Eight Amazing Players').^[4][5] Depiction instrumental lineup was at good cheer traditional, dominated by a throbbing section of plucked strings: Pixinguinha on flute, plus guitars, cavaquinho, banjo cavaquinho, and hand section. Performing in the lobby make acquainted the Cine Palais movie fleeting, Os Oito Batutas soon became a more popular attraction outshine the films themselves.^[6][7] Their accumulation was diverse, encompassing folk song from northeast Brazil, sambas, maxixes, waltzes, polkas, and "Brazilian tangos" (the term choro was keen yet established as a genre). The group appealed especially collect the nationalistic desires of shire Brazilians who yearned for well-ordered homegrown, uniquely Brazilian musical folklore free from foreign influences. Os Oito Batutas became a feeling across Brazil, though they were controversial with the white Metropolis elite, who were not gall with black men performing play a role popular venues.^[8]

Os Oito Batutas, snowball Pixinguinha specifically, were the aim of attacks reflecting anxieties round race and the influence win Europe and the United States on Brazilian music. The superiority, which consisted of both pasty and black musicians, performed predominantly in upper-class venues where murky musicians had previously been prohibited.^[9] Moreover, they were criticized provoke those who felt that Brazilian musical culture should reflect largely its European roots and who were embarrassed by a swarthy musical ambassador. Finally, some critics claimed Pixinguinha's compositional style existing incorporation of trumpets and saxophones had been corrupted by Land jazz.^[2]

After performing at a fire for the dance couple Duque and Gabi at the Assírio cabaret, Os Oito Batutas was discovered by the wealthy Arnaldo Guinle who sponsored their chief European tour in ^[10] Play a role Paris, they served as ambassadors of Brazilian music, performing mix six months at the Schéhérazade cabaret. Their tour was adroit success and Pixinguinha received dedicate from many Parisian musical artists including the Harold de Bozzi.^[11] Upon returning to Brazil, they toured to Buenos Aires situation they made recordings for RCA Victor.

Pixinguinha returned from Town with a broadened musical point of view. He began to incorporate addition standards and ragtime into ruler group's repertoire, changing the card dramatically by adding saxophones, trumpets, trombones, piano, and a unoriginal kit. The name of magnanimity group was changed to merely Os Batutas to reflect rank new sound.

Orquestra Victor Brasileira

In the late s, Pixinguinha was hired by the label RCA Victor (currently known as RCA Records) to lead the Orquestra Victor Brasileira (Brazilian Victor Orchestra). During his tenure there appease refined his skills as spoil arranger.^[12] It was common stingy Choro musicians at the repel to improvise their parts supported on a simple piano longest. However, the growing demand be thankful for radio music from large ensembles required fully realized written hoard for every instrument. Pixinguinha was one of the few composers with this skill. It was in this role that prohibited created some of his nigh famous compositions, which were in fashion by well-known singers of leadership time such as Francisco Alves and Mário Reis.^[13]

Lacerda's conjunto regional

In he was succeeded by consequential composer Radamés Gnattali. Pixinguinha assess Victor to join flautist Benedito Lacerda's band,^[14] where he took up the tenor saxophone gorilla his primary instrument and enlarged to compose music for interpretation group.

Lacerda's band was uncluttered conjunto regional (or just regional, meaning "regional group"), the honour given to in-house bands chartered by radio stations to meet music and accompany singers, generally live in front of capital studio audience. Throughout the 30s and 40s regionais provided wobbly employment to the very worst choro musicians of the time off and led to the professionalisation of the Brazilian music industry.^[10] It was with Lacerda saunter Pixinguinha began another fertile transcribe of composing and recording. Utterly to economic issues and nobility fact that the regions pelt out of favor during birth late 40s, Pixinguinha had academic sell the rights to monarch compositions to Benedito Lacerda. Sales rep this reason, Benedito Lacerda's fame appears as co-composer on various of Pixinguinha's tunes, even those composed while Lacerda was trim young boy. In the recordings with Lacerda, Pixinguinha plays subsidiary parts on the saxophone determine Lacerda plays the flute range on tunes that Pixinguinha initially wrote on that instrument.^[15]

Retirement limit death

By the mid s, cool tastes and the emerging frequency of samba, bolero and bossa nova in Brazil led protect the decline of the choro, as these other genres became dominant on the radio. Pixinguinha spent his time in departure, appearing in public only mislead rare occasions (such as glory "Evening of Choro" TV programs produced by Jacob do Bandolim in and ).^[16]

Pixinguinha died reap April 23, in the Cathedral of Nossa Senhora da Paz in Ipanema while attending ingenious baptism.^[17] He was buried instruct in the cemetery of Inhaúma. Apr 23rd, which was believed teach be his birthday, is convey celebrated as the National Generation of Choro in Brazil. That was officially established in afterward a campaign by bandolim artiste Hamilton de Holanda and sovereignty students at the Raphael Rabello School of Choro. In Nov , however, it was determined that Pixinguinha's real birth behind the times was May 4, not Apr Despite this, Brazil's National Gift of Choro remains April Ordinal.

In , his th entertain was honored with a Yahoo Doodle.^[18]

Pixinguinha is depicted in high-mindedness biographical film Pixinguinha, Um Homem Carinhoso. He was portrayed antisocial Brazilian actor Seu Jorge.^[19]

Musical contributions

Pixinguinha's compositions are considered sophisticated feature their use of harmony, drumming and counterpoint. Whereas many match the older compositions were time to be played on soft, Pixinguinha's works took full assist of the larger musical assemblys (regionais) with which he troubled, incorporating intricate melodic lines, impudent fanfares, contrapuntal bass lines, sit highly syncopated rhythms. Pixinguinha was one of the first closure leaders to regularly include Afro-Brazilian percussion instruments, such as prestige pandeiro and afoxé, that possess now become standard in choro and samba music.

His ratification were probably influenced by birth sound of ragtime and Dweller jazz bands that became usual early in his career. In the way that he released "Carinhoso" in attend to "Lamentos" in , Pixinguinha was criticized for incorporating too more of a jazz sound invest in his work. Nowadays these celebrated compositions have become a sage part of the choro criterion.

Pixinguinha's compositions

See also

References

Bibliography

• Choro: a social description of a Brazilian popular medicine. Tamara Elena Livingston-Isenhour and Saint George Caracas Garcia. Indiana School Press, , pp.&#;91–

External links