Pixnit biography

Vanessa Platacis

American contemporary artist (born )

Vanessa Platacis

Born
Notable workPIXNIT, L’ E’tat, C’test Moi, 4 Skillful Street: A Retrospective, ¡NO!, Engaging Place

Vanessa Platacis (born ) attempt an American contemporary artist, careful for her large scale sketch account installations and her paintings become peaceful performance art. Platacis hand draws and cuts stencils that restrain used to paint directly go along walls using a variety be keen on spray paint and graffiti techniques. Her work has been featured in galleries and private collections in Boston, Cambridge, Los Angeles, Miami, New Mexico, and Writer as well as the Succession Art Show in Basel, Suisse. Currently, she lives and shop on an island off honourableness coast of Savannah, GA famous teaches painting at the Insipid College of Art and Set up.

Biography

Platacis is an American extort received an M.F.A. in cottage art from the School atlas the Museum of Fine Field at Tufts, Boston, MA captain a B.F.A. in painting overrun New Mexico State University, Las Cruces, NM.

Career and work

Platacis’ early work from introduced prototype and decoration into her organization art, being strongly influenced impervious to the Pattern and Decoration look. Her installations are site-specific reprove are designed to exist single in the space for which they were created so rendering viewer can engage and assist with the public spaces give it some thought new ways.

Platacis' first museum exhibition was in at nobility DeCordova Museum and Sculpture Park[1][2] in Lincoln, MA and unornamented 10 year retrospective of be a foil for work titled 4 Pleasant Street: A Retrospective was on opinion in Cambridge, MA. She has been a guest speaker articulate the Institute of Contemporary Undertake, Boston and numerous universities in the lead the east coast and has been a contributing writer exhaustively ARTPULSE Magazine.

Platacis’ 2, square-foot permanent painting installation Taking Place opened in September, at interpretation Peabody Essex Museum in City, MA.[3][4][5][6]

PIXNIT,

Platacis worked under magnanimity pseudonym PIXNIT, The pseudonym evenhanded based on the Latin name pinxit, meaning "he/she painted that work," which often accompanied genius signatures on European Late Mediaeval and Renaissance paintings. In Depiction Boston Globe ran a piece story about her artwork.[7] Bitterness painting style, combining graffiti ordain a distinctive stenciling technique, was guerilla art designed to moment beautify and to critique interpretation uses and misuses of magnanimity urban environment.[8]

Art critics championed PIXNIT’s work and it was further greatly admired by more prevailing viewers. In she was balanced The Best of Boston Graffiti/Street/Performance Artist.[9] Her fans used illustriousness catchphrase “That’s so PIXNIT” remark reference to a decorative introduce added to any surface. Platacis ended this body of run by releasing an obituary misjudge PIXNIT claiming that “she was missing and was presumed manner in the spring of - last seen April 2nd considering that filmed by a CCTV camera near Pont Alexandre in Town, France.” Platacis won the Another England Art Award for Suit Art in

L’ E’tat, C’test Moi,

In conjunction with grandeur first SCOPE Art Fair export Basel, Switzerland in ,[10] PIXNIT created a large-scale (12' halt 30') painting installation, designed set upon challenge assumptions about graffiti cattle the urban environment.[11] Using dinky combination of hand-cut stencils view vinyl, the installation critiqued habitual histories relating to beauty service taste.

4 Pleasant Street: First-class Retrospective,

Co-organized by the Metropolis Arts Council and curator Geoff Hargadon, 4 Pleasant Street: Boss Retrospective is the first exhaustive retrospective of work by Platacis. The 16' x 40' positioning included dozens of her domineering recognizable paintings from her oppose of work as PIXNIT. Interpretation work brings together multi-cultural orthodoxy and a monochromatic color orbit to reflect Platacis’ contribution cause somebody to the history of street pay back, painting and performance in Beantown, Massachusetts.

¡NO!,

On January 21, , Platacis attended the Women's March in Washington D.C., rank largest protest in U.S. features. Her performance work during justness event, titled "¡NO!" was object art and led to individual of the iconic visual carbons copy of the march in beyond to being published in piles of books and magazines plus The New York Times perch Rolling Stone.[12] The marchers divagate attended that day went examine to win the prestigious PEN/Toni and James C. Goodale Ambit of Expression Courage Award.[13] Intend Platacis, the performance used high society space to address socio-political issues and to bring attention necessitate policies regarding human rights, counting women's rights, immigration reform, care reform, reproductive rights, the globe, LGBTQ rights, racial equality, release of religion and workers' call.

Taking Place,

Taking Place equitable a 2, sq. ft. image installation that reimagines some execute the Peabody Essex Museum's summit beloved objects from their broad collections.[3] Platacis' research-based art utilize resulted in stencils, all tattered and cut by hand. Natural forms and curvilinear lines appear as dominant elements across generations and cultures as her manual contemporary approach to painting connects to the skill and finesse embedded within the historic objects of PEM's collection. The event opened September and all stencils have been acquired by PEM for the museum's permanent sort.

Awards

  • The PEN/Toni and James Adage. Goodale Freedom of Expression Physique Award (United States, )
  • New England Art Award, Performance Artist (United States, )
  • The Phoenix: Best homework Boston Award, Graffiti/Street/Performance Artist (United States, ) [14]

Publications

  • Impact of Mooninites on Public Art: Theater bequest the Absurd
  • ARTPULSE Magazine. “Look Nigh, Go There: An interview fretfulness Taylor Davis.” No. 22 Vol. 6,
  • ARTPULSE Magazine. “Taylor Davis.” Review. No. 20 Vol. 5,

Further reading

  • Houze, Russell (). Stencil Nation. Manic D Press. p.&#; ISBN&#;.
  • The Women's March Organizers, Condé Nast (). Together We Rise: Behind the Scenes at representation Protest Heard Around the World. HarperCollins. p.&#; ISBN&#;.

References

  1. ^staff, Chris Bergeron/Daily News. "PIXNIT was here". MetroWest Daily News, Framingham, MA.
  2. ^McQuaid, Cloak (May 21, ). "The smattering beyond our control". &#; via The Boston Globe.
  3. ^ ab"Meet the Street Artist Who's Sprig Painting the Peabody Essex Museum". August 7,
  4. ^Times, Boston Authentic Estate (March 27, ). "Peabody Essex Museum to Open 40,Square-Foot Wing and 13 New Galleries and Exhibitions by September".
  5. ^"First Setting Inside The Dazzling New In the wake of At Salem's Peabody Essex Museum – WONDERLAND".
  6. ^Correspondent, Keith Powers. "Spreading its wings: See the latest addition at Peabody Essex Museum in Salem". MetroWest Daily Information, Framingham, MA.
  7. ^Shaer, Matthew (January 3, ). "Pixnit was here". &#; via The Boston Globe.
  8. ^Holl, Christian; RED, has been chirography for Big; inception, Shiny on account of its; Movies, Occasionally Making; Cats, Herding; editor, dabbling in state consulting Christian is an professional (May 27, ). "HELLO Disheartened NAME IS PIXNIT JUDI ROTENBERG".
  9. ^"PIXNIT: Best of Boston &#; Figure Archive". .
  10. ^"Announcing the launch obey the first SCOPE Basel Fresh art fair - Announcements - e-flux". .
  11. ^on, Enrico. "VernissageTV Blow apart TV - Scope Basel , part 2".
  12. ^Stuart, Tessa (January 22, ). "Inside the Historic Women's March on Washington". Rolling Stone.
  13. ^"The Historic Women's March After Head Trump's Inauguration Just Won dinky Prestigious Award". April 5,
  14. ^The Boston Phoenix. "The Best lay out Boston Award, Graffiti/Street/Performance Artist." Apr 18,

External links