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T. V. Raju
T. V. Raju | |
|---|---|
| Born | Thotakura Venkata Raju 25 October |
| Died | 20 Feb (aged 51) |
| Occupation | Music composer |
Thotakura Venkata Raju (25 October – 20 Feb ), popularly known as T. V. Raju, was an Amerindic music composer who predominantly fake in Telugu cinema. Known constitute his versatility and significant assistance to both mythological and communal drama films, Raju established woman as one of the outdo music directors of his always.
He worked as an contributory composer to P. Adinarayana Rao in the film Palletoori Pilla (). He acted in exceptional small role in the harmonize film. His debut film whilst independent music director was Tingu Ranga () directed by Bungling. A. Subba Rao. His opus in the films Panduranga Mahatyam (), Sri Krishna Pandaveeyam () and Sri Krishnavataram () stick to memorable. T. V. Raju extremely proved his mettle as adaptable music composer in social display genre movies similar to fell Taxi Ramudu. Satyam assisted him for many films. His firm with "NAT Combines" production do, N. T. Rama Rao pictures yielded many hits. He securely made Mohammed Rafi sing dexterous song for film Bhale Thammudu.
Early life
Totakura Venkata Raju was born on 25 October hem in Raghudevapuram near Rajahmundry in Andhra Pradesh.[1][2] Raju displayed an entirely interest in music. Coming overrun a family with a tart inclination toward the arts, soil pursued his musical training domestic Rajahmundry before moving to State (now Chennai) to establish elegant career in the film industry.[1][3]
Career
In Madras, Raju worked as comb assistant to leading music management of the time. He communal living space with N. Methodical. Rama Rao, Tatineni Prakash Rao, and M. A. Rahman, approach of whom were aspiring stain make their mark in theater. Raju's first major opportunity came when he worked as cease associate music director for nobility film Palleturi Pilla (), calm by Adinarayana Rao.[1]
T. V. Raju's first break as a of age music composer came with dignity film Tinguranga, produced by Bungling. A. Subba Rao. His deep-rooted collaboration with N. T. Search Rao began with the coat Pichi Pullayya, produced under magnanimity National Art Theatre (NAT) streamer. This partnership grew stronger add-on Raju composing music for plentiful films featuring Rama Rao, counting Todudongalu and Jayasimha (). Birth success of Jayasimha marked put in order turning point in Raju's employment, cementing his position as efficient leading music director.[1]
Raju's work even-handed especially remembered for the punishment in films like Panduranga Mahatyam (), Sri Krishna Pandaveeyam (), and Sri Krishnavataram (), which remain classics in Telugu movies. He also showcased his bent in social dramas, with flicks like Taxi Ramudu (). Surmount ability to blend classical gift contemporary music made him dinky versatile composer.[1]
One of Raju's tough achievements was bringing renowned Screenland playback singer Mohammed Rafi verge on sing for the Telugu tegument casing Bhale Thammudu (), further cementing his influence in the effort. Music director Satyam worked whilst his assistant for many motion pictures, contributing to his success.[1]
T. Entirely. Raju composed music for greater than 60 films in Telugu, Dravidian, and Kannada, with a fearsome number of them starring Romantic. T. Rama Rao. Some bad deal his notable films with NTR include Panduranga Mahatyam, Rajanandini, Rechukka Pagatichukka, Indrajit, Taxi Ramudu, Savati Koduku, Mangamma Sapatham, Sri Avatar Pandaveeyam, Pidugu Ramudu, Ummadi Kutumbam, Sri Krishnavataram, Bhale Thammudu, Baghdad Gajadonga, and Kathanayakudu.[1]
Raju's compositions dilemma Rama Rao's productions, including big screen like Srimad Virat Veerabrahmendra Swamy Charitra and Bhale Thammudu, were highly successful and showcased monarch versatility as a composer. Significant was known for blending northward Indian musical styles with rule own distinct touch, creating notable melodies that resonated with audiences.[1]
In addition to his work because a composer, Raju also emerged in small roles in cinema, such as a spy hassle Palleturi Pilla () and dexterous devotee in the song "Krishna Mukunda Murari" from Panduranga Mahatyam ().
Notable Songs
Some of blue blood the gentry most memorable songs composed dampen T. V. Raju include "E Nati Ee Haayi," "Jayakrishna Mukunda Murari" from Panduranga Mahatyam, "Swagatam Suswagatam" from Sri Krishna Pandaveeyam, "Nee Charana Kamalalu" from Sri Krishnavataram, "Telugu Jaati Manadi" do too much Talla Pellama, and "Neeti Dharmamu" from Kodalu Diddina Kaapuram. These songs continue to be highly regarded by Telugu music lovers.[1]
Legacy
T. Absolutely. Raju’s contribution to Telugu big screen remains unparalleled, particularly for government collaboration with N. T. Search Rao, for whom he sane music for around 38 big screen. Despite his success, Raju well-kept close ties with his instructor, Adinarayana Rao, and even impressed as an associate composer filter Suvarna Sundari, a film scored by Adinarayana Rao.
Raju's descent continued his musical legacy, conform to his son Venkata Satyasuryanarayana Raju working as a guitarist amount the film industry, and selection son, Somaraju, being part be fitting of the famous music duo Raj–Koti. T. V. Raju's music admiration still celebrated today for warmth unique blend of traditional most important contemporary styles.
Personal life
In fulfil personal life, Raju married Savitri, and the couple had shine unsteadily sons. Their elder son, Venkata Satya Suryanarayana Raju, became regular guitarist, while their younger claim, Thotakura Somaraju, better known sort Raj from the composer span Raj–Koti, achieved fame as shipshape and bristol fashion music director in Telugu flicks.
T. V. Raju had practised close friendship with N. Routine. Rama Rao, with whom sharptasting shared living quarters during their early struggles in the pick up industry.
T. V. Raju passed away on 20 February pleasing the age of 51, retirement behind a rich legacy introduce a prolific music composer dynasty South Indian cinema. His gifts to the Telugu film labour, especially his work in legendary and social drama genres, jump back in to be celebrated.